I developed a grid system to organize the main body text and imagery, but I intentionally broke its structure throughout the publication. This approach allowed the layout to remain modern while also capturing the improvisational quality associated with jazz. The Cudeco typeface was once again used as a display font for the musicians’ names. In hindsight, however, I would have preferred to set these names in a more legible typeface, perhaps in the footer or another secondary position.

The choice of paper required considerable thought. Initially, I was deciding between a glossy magazine stock and a paper more reminiscent of a newspaper. Due to an orange weather warning, the store I had planned to visit was closed, so I explored alternatives and ultimately found a paper stock that sat somewhere between the two options. For the cover, I selected a thick craft paper, which I appreciated for the way its texture and grain interacted with the ink. Looking back, however, I think a thinner paper might have been more effective, as it would have enhanced the translucent, layered qualities of the magazine.

I also considered binding the publication with twine to emphasize its handcrafted character, but ultimately chose staples for their simplicity and practicality.

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